Download Death at a Funeral (2010)

Death at a Funeral (2010)
Country: USA
Genre: Comedy
Direction: Neil LaBute
Cast: Matthew MacFadyen, Rupert Graves, Peter Dinklage, Alan Tudyk, Daisy Donovan, Jane Asher

A funeral ceremony turns into a debacle of exposed family secrets and misplaced bodies.

Download Death at a Funeral (2010)

Movie Review:

Film remakes are becoming more and more popular these days. Whether it’s horror, comedy, or drama, someone out there either wants to make money off of someone else’s idea or they believe it’s a good enough story to tell again. These days remakes are usually remade from either a foreign film or a film that was made decades ago (i.e. “Nightmare on Elm Street” coming out later this month). For these reasons I was surprised when I heard there was a remake coming out of “Death at a Funeral,” the 2007 British dark comedy where everything that could go wrong does during a family funeral. While the 2007 version is British, it had an American director and some American actors. Furthermore, it came out less than three years ago which wouldn’t make it ripe for a remake. Nevertheless, they have remade it and it’s an almost identical film with a different cast but, oddly enough, the same writer (Dean Craig). Similar in almost every way, the new “Death at a Funeral” offers the same awkward laughs as the original, but also the same content.

Aaron (played by Chris Rock) is a married man whose father has just passed away. Per his father’s request the funeral will be at their home with all the family attending. That family includes but isn’t limited to: Aaron’s younger more successful brother Ryan (Martin Lawrence), crotchety old Uncle Russell (Danny Glover), cousins Jeff and Elaine (Columbus Short and Zoe Saldana), as well as Elaine’s boyfriend Oscar (James Marsden). From this point forward nothing and I mean nothing goes right. They initially bring the wrong body to the home. Aaron’s mother is a mess, his brother shows up and doesn’t help the matter, and Uncle Russell is late to the funeral. A man arrives at the funeral claiming to have had a ‘secret’ relationship with Aaron’s father. To make matters worse, Oscar takes some medicine to calm his nerves. He thinks it’s Valum, but it’s actually an illegal hallucinogenic made by Elaine’s brother Jeff.

Within all of these scenarios lies a great deal of humor. Add the fact that it all takes place at a funeral and you have the very definition of a dark comedy. The problem is, from a filmmaking standpoint, it all feels too familiar, and that’s because it is. Having seen the original, this one plays out in identical fashion. The movie has a great cast with the likes of Rock, Lawrence, and Tracy Morgan. All of their performances are on par with their British counterparts save for James Marsden as Oscar, who earns far more laughs as the drugged boyfriend than Alan Tudyk does in the original. Actor Peter Dinklage even reprises his role from the original film and gives the same performance.

Inappropriate content is the only area where the two films differ. Both films are rated R, and while the British version had plenty of inappropriate material, the American version ups the ante. The strong language in the original is made even stronger in this update. Also, sexual dialogue appears a lot more frequently in this current version. As in the original, there is an extended scene involving Oscar naked on the roof of the house. Several shots of his bare backside are seen, and while none of this is in a sexual manner, it is still there and fairly graphic. One of the plot lines involves heavy homosexual content, and the film also has a fair amount of potty humor in it. All of this adds up to a movie that earns its R-rating.

“Death at a Funeral” does try to squeeze in a message of the importance of a loving family, but it’s clear that’s not the point of the film. While the original was very dark, it at least felt original and wasn’t quite as gratuitous in its delivery. Instead of original and restrained, we get a graphic retread, and that’s not much of a trade. “Death at a Funeral” does little to distinguish itself, even among remakes.

Original article